Audix f 2

f2

Affordable dynamic instrument microphone

The Fusion Series are high-performance microphones in a cost-effective package.

The f2 dynamic instrument microphone is best used for miking instruments requiring mid-bass and mid-high reproduction in live and studio applications. Its hypercardioid pick-up pattern helps to minimize feedback and isolate the instrument from ambient sound coming from the room or other instruments on stage.

Low impedance and balanced output on the f2 allow interference-free performance. Compact and durable, the f2 hypercardioid instrument microphone features a cast zinc alloy body, steel mesh grille and gold plated XLR connector.

Designed, assembled, and tested by Audix in the USA.

OPERATION AND MAINTENANCE

The f2 is a low impedance microphone and should be plugged into a ‘mic level’ of your console, mixer, or recording device. Please note that your microphone does not require phantom power and will not be affected in any way by phantom power should it be running simultaneously while the microphone is in operation. Avoid plugging or unplugging the microphone from the PA system unless the channel is muted or the volume of the system turned down. Failure to do so may result in a loud ‘popping’ noise which could seriously damage the speakers in the PA system.

The f2 is manufactured to exacting specs with roadworthy construction. However, the capsule is highly sensitive and should be handled with care. Avoid extreme temperatures and be sure to store your microphone in the pouch provided when not in use. Moisture of any kind can adversely effect the sound and performance of your microphone.

USER TIPS

The f2 has an extremely tight (hypercardioid) pick-up pattern in order to help eliminate sound from other instruments on stage from ‘bleeding’ into the microphone. For this reason, the f2 is exceptionally effective in capturing the sound of each component of a drum or percussion kit.

Drums, hand percussion: As a general rule, the top of the f2 grill should be 1-2 inches above the head of the drum and pointed towards the center. For more ‘ring’, pull the mic back towards the rim. For less ring and more overtones, position the mic 1-2 inches inside the ring. For more attack, place the mic very close to the head and for more overtones and decay move the mic further away from the head.

Guitar cabinets: The f2 can be placed within 1-2 inches of the grill cover at a 90 degree angle pointing directly into the speaker. If the mic is placed closer to the edge of the speaker, you will minimize the higher frequencies and get a warmer, fatter tone. To capture more highs, move the mic closer towards the center of the speaker, but avoid the middle of the speaker.

Horns: Place the mic within 1-2 inches of the bell, especially when on a stag with drums, bass, guitar, etc. For jazz, classical, and music where the stage volume is lower, the mic can be placed further away for a richer, fuller sound.

Further miking techniques may be found at www.audixusa.com.